Graphik Super Graphik Super. Ilya Ruderman spoke with Vladimir and Arthur about what it was like. Commercial Type Based in New York and London, Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since on various typeface projects, most notably the award winning Guardian Egyptian. This page was last edited on 4 May , at It was important that it be flexible, and that it didn’t seem to be tied too closely to any particular era of graphic design. Please help to establish notability by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. Views Read Edit View history.
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The heavy end of the family is based in part on Paul Renner’s Plak, a relatively obscure display typeface cut only in large sizes of woodtype, that is related to his heavier weights of Futura but has rounder, friendlier, fatter proportions. Cyrillic typefaces Greek typefaces Latin-script typefaces.
After completing the program, he returned to Moscow, where he has collaborated for a number of media: Views Read Edit View history. Graphik Black Graphik Black. This article is an orphanas no other articles link to it.
Graphik in use – Fonts In Use
During grapnik month, Vladimir Ayuyev and Arthur Lebsak create pictures about the fonts in the type. Ilya Ruderman and Yury Ostromentsky discussed with Alexey contemporary typography, modern applications and type design industry Graphik in use.
Natasha Agapova specially for type. Available for licensing from Commercial Type.
Graphik Light Graphik Light. Graphik Bold Graphik Bold. First drawn as the house style for Schwartzco Inc. Retrieved braphik April I ended up drawing inspiration from all parts of the 20th century. Finally, I was also influenced by midth century Swiss poster typography. Retrieved from ” https: Graphik Thin Graphik Thin. After returning to the United States, he worked at type studio Font Bureau, going independent in Typefaces by Christian Schwartz: Based in New York and London, Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since on various typeface projects, most notably the award winning Guardian Egyptian.
Graphik in use
Merdan Agaev specially for type. Graphik Medium Graphik Medium.
Grzphik Type Based in New York and London, Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since on various typeface projects, most notably the award winning Guardian Egyptian. Please improve this by adding secondary or tertiary sources. Christian Schwartz, a type designer and one of the founders of the type foundry Commercial Type, lives and works in New York.
The low contrast and large x-height give the typeface great versatility. When I first started work on Graphik, I wanted a very plain but relatively warm geometric sans for my own corporate identity. Learn how and when to remove these template messages.
Please click here to visit our site. He has been very active as a consultant on Cyrillic since The typeface is available garphik nine weights, with italics, each with five sets of figures. Graphik was inspired by the appealing plainness seen in many of the less common 20th century European sans serifs and in the hand-lettering of classic Swiss Modern posters.
Graphik Regular Graphik Regular.